• Page visited 582,819 times • Powered by MediaWiki Bach is possibly the most immediately recognizable solo work for the instrument. 8 8 4 *#185297 - 5.01MB - 2:11 -  (-) - V/V/V - 7926×⇩ - Generoso, PDF scanned by Unknown 10 6 Michael Bonnette [2009-07-12] Sleepers Awake - Johann Sebastian Bach [1998-09-27] Suite Bwv 995 - Prelude - Johann Sebastian Bach … 10 6 -  -  Courante • 4. *#161927 - 0.02MB, 2 pp. Menuett & 6. 6 (-) - !N/!N/!N - 194×⇩ - Vlavasa, PDF typeset by arranger 0.0/10 2 *#241764 - 0.35MB, 3 pp. 4 OR 2. *#306151 - 0.16MB, 1 pp. 8 6 6 6 0.0/10 Carolus (2009/8/13), Complete Score *#483287 - 2.45MB, 6 pp. 8 (-) - !N/!N/!N - 4504×⇩ - RSB, Viola and Piano *#129125 - 0.09MB, 2 pp. 2 10 Menuet 1 begins with (you guessed it!) 8 The movement is short and harmonically direct, characterized by a feature commonly found in sarabandes: an emphasis, or lean, on the 2nd beat of the three beats in a measure, achieved by lengthening the value of the 2nd beat note, enriching the 2nd beat harmonically, and placing a multi-stop (basically, a chord instead of a single pitch) on that 2nd beat. Next, that opening 2-beat, rocking arpeggio figure is repeated, then altered in measure 2 with the raising of the 2nd and 3rd pitches to create a sense of melodic opening (and, harmonically, giving us a sub-dominant chord), changed again in measure 3 by raising only the 2nd note (creating a V-7 chord, superimposed over a pedal G, giving us these intervals: a major 7th and a tritone), and resolved in measure 4 with a return to our tonic. 2 0.0/10 -  (-) - !N/!N/!N - 21×⇩ - Rockzaemon, III. 8 Stringph (2017/1/19), 4. Sarabande • 5. The contrast between the minuets couldn’t be more pronounced, and when we hear the return to Menuet 1, our perspective on this now familiar music has changed. 2 8 4 4 2 The six Cello Suites, BWV 1007-1012, are suites for unaccompanied cello by Johann Sebastian Bach.They are some of the most frequently performed and recognizable solo compositions ever written for cello. 0.0/10 2 0.0/10 2 Notenquetser (2015/8/28), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License 4 8 6 Courante 8 Bach is possibly the most immediately recognizable solo work for the instrument. (-) - !N/!N/!N - 25039×⇩ - MP3 - Papalin, 3. 2 (-) - !N/!N/!N - 36001×⇩ - Shin-Itchiro, PDF typeset by editor Suite für Flöte solo a-Moll, BWV 1013. 0.0/10 Complete Score 2 Rockzaemon (2020/7/13), ⇒ 6 more: II. 8 The second half continues with similar twists and turns of harmonic and melodic motion, starting in D Major, passing briefly through G Major and taking us solidly to A minor before a beautifully paced and final return to G Major. (-) - V/V/V - 100×⇩ - Notenquetser, PDF scanned by Unknown 4 2 Allemande, Corrente, 3/4; Sarabande, 3/4; Bourrée anglaise, 2/4; Alle Sätze stehen in der Grundtonart a-Moll. 6 6 4 2 8 0.0/10 *#185298 - 6.23MB - 2:43 -  Bach’s sense of form and structure is perfectly balanced; these two moments of “rest” fall in ideal places amidst the excitement and energy that permeate the movement. 2 10 4 He begins this menuet on a B-flat, leaving no doubt that we’ve taken a break from G Major. 8 (-) - !N/!N/!N - 17597×⇩ - MP3 - Papalin, 5. -  8 4 0.0/10 *#161926 - 0.03MB, 2 pp. This constant juxtaposition of short notes and connected ones creates textural interest, helps solidify and confirm the strong omnipresent rhythmic structure, and, if the performer is truly embracing the spirit of the music, gives the movement the rhythmic dance quality to which Bach clearly refers. 5 in c minor, BWV 1011 Prelude Allemande Courante Sarabande Gavottes I and II Gigue. 4. BaroqueHeart (2010/12/30), Complete Score (with fingerings) 2 No. 8 8 6 0.0/10 2 6 2 Menuett *#434239 - 0.11MB, 1 pp. 6 0.0/10 6 0.0/10 6 6 0.0/10 arranger (2011/9/24), Complete Score 2 10 Menuett • 7. -  (-) - !N/!N/!N - 901×⇩ - Max.virdis, PDF typeset by arranger -  10 0.0/10 This Sarabande is a very gentle, friendly, even simple and innocent one. 10 10 -  10 Gigue Allemande • 3. 2 10 Measure 5 breaks the pattern set in the 1st 4 bars – the figures take on a more melodic and directional quality. 10 Test of new Embertone "Blakus" solo cello sample library. 0.0/10 2 6 4 The movement starts with an arpeggiated figure that takes full advantage of the natural resonance of the instrument: an open G, an open D, and a B one full step above the open A string. (-) - !N/!N/!N - 6234×⇩ - Elaine Fine, PDF typeset by arranger 2 2 Cello Suite No.1 in G major, BWV 1007 (Bach, Johann Sebastian) Movements/Sections Mov'ts/Sec's: 7 movements Composition Year 1717-23 Genre Categories: ... 4. *#541488 - 0.05MB, 2 pp. The menuet as a compositional form remained popular into the Classical era and beyond; dozens of Haydn and Mozart symphonies and string quartets contain menuet movements, structured not unlike this 1st menuet, in triple meter and with a very clear dance lilt. The level is around Late-Intermediate (Grade 7). These improvised-sounding bars alternate with the arpeggiated patterns established at the beginning, taking us on an interesting and creative harmonic ride. -  6 10 10 5 in C minor, BWV 1011; Cello Suite no. Courante • 4. 8 10 4 in E-flat major, BWV 1010; Cello Suite no. 6 8 (-) - !N/!N/!N - 1937×⇩ - Stringph, PDF typeset by arranger -  Sarabande 10 Gigue 8 (-) - !N/!N/!N - 56737×⇩ - MP3 - Cypressdome, Complete Recording (EU) 6 2 4 Particularly moving is the passage from measure 25 to the end; in this section, Bach uses dissonance and resolution to maximal effect, especially the minor 7th drops in measures 27 and 28 and the slightly delayed resolution in measure 29. -  8 (-) - !N/!N/!N - 1050×⇩ - MP3 - Travelsbypiano, 4. -  2 *#324172 - 0.15MB, 7 pp. 4 *#173147 - 2.66MB - 2:54 -  4 0.0/10 0.0/10 10 -  8 8 6 0.0/10 *#480707 - 0.44MB, 6 pp. 2 2 Gerard reyne (2016/12/3), Complete Score (without slurs) 10 -  From time to time we reach clear cadence points, resting spots characterized by harmonic resolution and interruption of the ongoing sixteenth note motion. Allemande • 3. -  2 *#22400 - 3.83MB, 6 pp. (-) - V/V/V - 136984×⇩ - shikamoo, PDF scanned by Unknown 0.0/10 *#268337 - 0.07MB, 4 pp. 6 6 -  2, BWV 807; English Suite no. 0.0/10 (-) - !N/!N/!N - 79×⇩ - Elainefine, PDF typeset by arranger Kept the MIDI Dynamics more or less as in the original MIDI file but tweaked a lot of the MIDI parameters. Bach’s use of the various registers of the cello to enhance depth of emotion is perfect in every way, from the lowest depths of the C string to the clear, ringing tones of the A string. 8 Vincent Jailerat [2000-04-09] Sarabande - J. S. Bach [2003-10-26] Sarabande, Lute Suite No.1, Bwv 996 - J.S.Bach - Arr. Courante 6 ... Cello Suite In D Major BWV 1007 2 Allemande Guitar Tab PDF. 8 4 10 0.0/10 8 -  Gigue 0.0/10 10 2 Andreyvul (2009/6/4), Complete Score 10 -  0.0/10 4 2 6 Again, in a large measure due to the resonant nature of the key on G Major on a cello, the use of open strings (or notes that produce sympathetic ringing on open strings) produces a very open and healthy purity to the sound. Stringph (2017/2/1), ⇒ 6 more: 1. (-) - !N/!N/!N - 81×⇩ - Vlavasa, Complete Score 10 *#185302 - 3.52MB - 1:32 -  (-) - !N/!N/!N - 111×⇩ - Vlavasa, Complete Score (French tab only) 8 (-) - !N/!N/!N - 2817×⇩ - Minstrel, PDF typeset by arranger 4 *#115475 - 3.54MB - 2:34 -  -  2 (-) - !N/!N/!N - 14443×⇩ - Andreyvul, PDF typeset by arranger *#115474 - 3.94MB - 2:51 -  2 4 The very gentle, inviting nature of this movement contributes to the overall feeling consistent throughout the suite, that of warmth, resonance, and an altogether calm and friendly atmosphere. 0.0/10 *#178342 - 0.10MB, ? Prélude Menuetto I & II Das viersätzige Werk entspricht in Aufbau und Stil Bachs Suiten für Cello solo und verwendet 10 0.0/10 0.0/10 0.0/10 2 6 *#541490 - 0.04MB, 2 pp. 0.0/10 (-) - V/V/V - 2079×⇩ - MKXScorpion, PDF scanned by Bach Digital 2 0.0/10 4 8 0.0/10 -  Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. Sarabande - Johann Sebastian Bach - Arr. The Prelude of the 1st Suite for unaccompanied cello by J.S. 4 0.0/10 0.0/10 10 (-) - !N/!N/!N - 669×⇩ - Minstrel, ZIP typeset by arranger -  0.0/10 Minstrel (2015/11/2), Pedal-Exercitium 1 (Pedal study) 0.0/10 6 8 10 10 shikamoo (2006/8/25), Complete Score 0.0/10 0.0/10 8 0.0/10 Text I: Based on the copies by Anna Magdalena Bach, Johann Peter Kellner. (-) - V/V/V - 4671×⇩ - Generoso, Complete Score and Cello Part 2 8 2 4 *#173150 - 3.32MB - 3:37 -  2 The first of these is in the 4th measure, where, after 2 beats of cascading, descending melodic motion (it’s our opening G Major triad again, with the melodic B on top! 0.0/10 6 (-) - !N/!N/!N - 4186×⇩ - arranger, PDF typeset by arranger 10 Back to Bach, this first menuet is quite gentle, not punchy or particularly bouncy, and heartfelt in character. *#391067 - 2.12MB, 5 pp. 4 4 4 Courante 10 6 10 Of note are the two solid dotted quarter cadence points that Bach provides as momentary stopping points, one in each half of the binary structure. 4 Elaine Fine (2011/9/6), Viola Solo, 2 violins, and cello - Score and Parts 2 *#58152 - 0.11MB, 1 pp. 8 ), we cadence on a very settling and satisfying tonic G on the 3rd beat. 6 (-) - !N/!N/!N - 3320×⇩ - ComposerTylerBo... PDF typeset by arranger 10 Gigue, 2. *#320961 - 0.15MB, 7 pp. *#32124 - 0.03MB, 2 pp. 6 (-) - !N/!N/!N - 4095×⇩ - Stringph, PDF typeset by arranger MKXScorpion (2017/7/22), Complete Score *#115472 - 4.62MB - 3:21 -  4 (-) - !N/!N/!N - 19×⇩ - Rockzaemon, VI. (-) - !N/!N/!N - 915×⇩ - MP3 - Travelsbypiano, Virtual Performance 4 Site by Linnea Williams. 6 4 10 6 10 Yverband (2010/3/5), Complete Score 0.0/10 8 *#398386 - 0.09MB, 3 pp. -  4 4 10 "Editor's Notes" is written for cellist, but it must be useful also for violinist. (-) - V/V/V - 5796×⇩ - Mcroskell, PDF scanned by Unknown *#453696 - 0.11MB, 3 pp. Menuet I & II 6 0.0/10 Cello Suite no. *#636282 - 0.19MB, 3 pp. 2 -  10 *#636286 - 0.14MB, 2 pp. 6 homerdundas (2009/7/27), Complete Score (with facsimile) 10 -  4 6 8 2 What follows is truly amazing, but first a bit of background. 8 4 6 (-) - !N/!N/!N - 339×⇩ - Stringph, 3. 0.0/10 -  -  2 -  0.0/10 10 6 3 in C major, BWV 1009; Cello Suite no. 4 *#01298 - 0.37MB, 6 pp. *#161925 - 0.03MB, 2 pp. 6 *#480706 - 0.44MB, 6 pp. (-) - !N/!N/!N - 1368×⇩ - MP3 - Darrell Jacobi, 4. 8 *#590528 - 0.12MB, 8 pp. 4 0.0/10 2 4 4 10 Allemande 10 0.0/10 (-) - !N/!N/!N - 569×⇩ - Stringph, Complete Score 8 Help listening to and downloading MIDI files. Menuetto I & II • 6. 0.0/10 2 (Haydn in particular started to experiment with rhythmic variety in his menuet offerings, often to great effect, and Beethoven is widely credited with transforming the classical menuet form into the scherzo.). 0.0/10 6 Prelude from Cello Suite No. 0.0/10 *#541489 - 0.08MB, 4 pp. 8 Shin-Itchiro (2010/9/16), Complete Score (with slurs)
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