Published 1964 as edited and arranged from the manuscript by violinist. Marche funèbre 1827 153b (*754a) Grand solo caractéristique d'apropos une chansonette de Panséron pf C minor / E major 1830–32 based on a popular song by Auguste Mathieu Panseron; one section used as main theme for S.156/5; unpublished : 154i Harmonies poétiques et religieuses: pf 1833 1st version of S.154ii, S.172a/8, … This first publication by Ernest Knop (who also wrote the song No.2 is based on) was formerly catalogued by Searle mistakenly as S.155a, believing it was an earlier version of S.156/10–12 published 1842 by Haslinger, and its later revision S.156a. 2nd version of S.259; unpublished?, lost? [U] (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX), arr of S.766; based on S.261; rev as S.3/8, Mihi autem adhaerere (Offertoire de la messe du patriarche séraphique San François), arr for pf as S.504i, for harm as S.667c, for v org/harm as S.681, uses material from S.702; 1st version of S.42ii, S.42iii, 2nd version of S.42i, S.42iii; arr for pf as S.729, Der Herr bewahret die Seelen seiner Heiligen, probably misattributed to Liszt, who arr the pieces as S.504b and S.669a, arr for pf as S.504b/3a, for ch org as S.669a/1, arr for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51, arr for pf as S.504b/5, for v org as S.669a/3, arr for pf as S.504b/6, for v org as S.669a/4, arr for pf as S.504b/7, for v pf/org as S.669a/5, arr for pf as S.504b/10, for v org as S.669a/6, arr for pf as S.504b/11, for v org as S.669a/7, Meine Seel' erhebt den Herrn! 61, MWV M 13) de Felix Mendelssohn.Figurant parmi ses œuvres les plus célèbres, elles ont été composées pour la comédie de William Shakespeare, A Midsummer Night’s Dream.. … Liszt, unpublished; arr for 2pf as S.647. possibly intended for S.216, S.216b, S.514, or S.515? Retrouvez tout le catalogue musique classique du label. (5) Klavierstücke (Album-Leaves for Olga von Meyendorff): based on S.349; re-used as S.205/6, S.205a/6; arr for pf4h as S.614, 2nd version of S.195a; arr for pf4h as S.612, for vc hp pf harm as S.130i, for vc pf as S.130ii, for vn pf (+harm) as S.130iii, 1st (draft) version of S.197; fragments of sketches (reconstructed by Liszt's pupil, 2nd version of S.196a; arr for vc pf as S.131i, for vn pf as S.131ii, in 4/4, written Dec.1882, published 2002; 1st version of S.199a/ii, S.200i, S.200ii; incomplete sketch as S.701k, in 4/4, written Jan.1883, published 2002; 2nd version of S.199a/i, S.200i, S.200ii; incomplete sketch as S.701k, in 6/8, published 1927 as "La lugubre gondola I"; 4th version of S.199a/i, S.199a/ii, S.200ii, in 4/4, written Jan.1883, published 1885, published 1927 as "La lugubre gondola II"; 3rd version of S.199a/i, S.199a/ii, S.200i; arr for vc pf as S.134i, for vn pf as S.134ii, re-used from S.194; 1st version of S.205a/7, Prélude à la Polka d'Alexandre Porfiryevitch Borodine (Variation sur le thème favori et obligé), Waltz (Waltz aus dem Ballet Die Amazonen), Piano arrangement of S.126b/2 (Theme from the ballet Die Amazonen by Robert von Gallenberg), 1st version of S.214/1; themes used in S.209a; arr for pf4h S.615, 1st version of S.212ii, S.213i, S.213ii, S.213iii, 2nd (expanded) version of S.212i, S.213i, S.213ii, S.213iii, Valse de Marie (Mariotte) (Album-leaf for, 3rd version of S.212i, S.212ii, S.213ii, S.213iii, 4th (édition facilitée) version of S.212i, S.212ii, S.213i, S.213iii, 5th version of S.212i, S.212ii, S.213i, S.213ii, with additions for Liszt's pupils, 2nd version of S.215a; arr for pf4h as S.615a, manuscript entitled "4th Mephisto Waltz", but no relation to S.216b or S.696, 1st version of S.219a; arr for pf4h as S.616, 2nd (simplified) version of S.219; theme used in S.220, uses themes from S.167o; 1st version of S.521i, S.521ii; arr for orch by Liszt and, 1st version of S.228ii; arr for orch by Liszt and, 2nd version of S.228i; Trio section uses theme of S.313, Vom Fels zum Meer! S.87ii, male chorus, winds, brass, percussion [rev.] For the new final chorus, a 10 bar segue replaces the last 13 bars of the original ending. Aus der Musik zu Hebbels Nibelungen und Goethes Faust: arr of extract from the incidental music to, arr of No.2 of part I of the incidental music to, arr of Nos.2 and 3 of part II of the incidental music to, Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen). "Corno" is thought to be August Horn (corno being Italian for horn), but this could be misleading. (3) Morceaux detachés d'Esmeralda de L. Bertin: arr of "Quoi! Mozart Sonate N° 16 (1er mouvement, Allegro) W.A. [catalogue des oeuvres] [bibliographie] [discographie] [] [] [partitions]Baptisé à Bonn (Allemagne) le 17 décembre 1770, mort à Vienne (Autriche) le 26 mars 1827. 2nd version of S.558; published c1879 by Cranz (with ossias for Nos.4, 5) (with new versions of Nos.3–4, 7–9, 11); 3rd version of S.557a, S.558/4, S.558a/4a, 4th (ossia) version of S.557a, S.558/4, S.558a/4, Der Gondelfahrer – Männer-Quartett von F. Schubert). It is actually identical to the Haslinger publication. La leçon de Marin Marais. S.87iii/a, mixed chorus, optional piano (1875?) Zwei Festgesänge zur Enthüllung des Carl August Denkmals in Weimar am 3. [Q] An die ferne Geliebte (Liederkreis von Ludwig van Beethoven): Marche au supplice de la Sinfonie fantastique (Épisode de la vie d'un artiste) de Hector Berlioz, 2nd (simplified) version of 4th mvt from S.470, Marche des pèlerins chantant la prière du soir (de la symphonie d'Harold composée par Berlioz), arr of the "Pilgrims' march" (2nd mvt) from the symphony, Marche des pèlerins – Chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz), Valse des Sylphes de La damnation de Faust de Hector Berlioz, Esmeralda (Opéra en 4 actes de L. Bertin), Air chanté par Massol de Esmerelda de L. Bertin, arr of Quasimodo's aria "Mon Dieu! Variété française [O] Juni 1867, Ungarischer Sturmmarsch (Hungarian Battle March), arr of S.232; 2nd version of S.358b; arr for pf4h as S.610, Grande fantaisie symphonique (über Themen aus Hector Berlioz', Concerto in E minor for piano and strings "Malédiction", De profundis (Psaume instrumental pour orchestre et piano principal), unfinished; score prepared from manuscript sources by Jay Rosenblatt, further preparation and completion of the work (final 6 bars) by, arr of S.388b; 1st version of S.122ii, S.122iii, based on the "March and Chorus" (No.6), the "Dervishes' Chorus" (No.3), and the "Turkish March" (No.4) from, opening and main motive notated in 1832, 6 drafts, 2 versions (1849, 1856); arr for 2pf as S.650, based on S.524a; 2 versions (1839, 1849); arr for 2pf as S.651, uses themes from S.148, S.151, S.152; unfinished; score prepared from manuscript sources by Jay Rosenblatt, further preparation and performing version of solo part by, 1st version of S.126ii; score prepared from manuscript sources by, 2nd version of S.126i; arr for pf as S.525, for 2pf as S.652, 3 mvts; vn part lost, vc part discovered in 1997, pf part in 1998, Grand Duo concertant (pour piano et violon sur la Romance de M. [Charles-Philippe] Lafont "Le départ du jeune marin"). Musicien débutant ou confirmé, vous avez la possibilité de visualiser et imprimer des partitions adaptées à votre niveau. (3) Lieder zu Tannhäuser (Komponiert von Otto Lessmann): 3 Stücke aus der Legende der heiligen Elisabeth: San Francesco (Preludio per il Cantico del Sol), Cantico del Sol di San Francesco d'Assisi, Excelsior! ), Das deutsche Vaterland II (Was ist das deutsche Vaterland? A. Stargardt, Germany, lost or discarded; material used in S.42i, Psalm 2 (Quare fremuerunt gentes et populi), incomplete sketches; 2nd version of 5th mvt of S.690, lost; see also S.162d, S.163/6 a funeral march in memory of Emperor Maximilian I of Mexico composed the same year, unrealized project; arr of S.666 without org? Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten, F. W. Constantine, Prince of Hohenzollern-Hechingen, Fantasie über Themen aus Mozarts Figaro und Don Giovanni, A History of the Sonata Idea: Volume 3: The Sonata Since Beethoven, International Music Score Library Project, Fantasy on Themes from Mozart's Figaro and Don Giovanni, International Franz Liszt Piano Competition, Franz Liszt International Piano Competition (Budapest), https://en.wikipedia.org/w/index.php?title=List_of_compositions_by_Franz_Liszt&oldid=1005561157, Piano compositions by Hungarian composers, Short description is different from Wikidata, Articles with International Music Score Library Project links, Creative Commons Attribution-ShareAlike License, extracts arr for pf as S.498a, S.693a, for pf4h as S.578; introduction arr for org as S.663a, No.6 based on S.25; No.7 based on S.29; No.8 based on S.36, S.261, S.766; Nos.1a, 1b, and 2 arr for pf as S.498c; Nos.4 and 5 arr for pf as S.498b, for pf4h as S.579; No.8 arr for org as S.664i, arr of S.4i; arr for pf as S.499, for org as S.760; Prelude arr for pf as S.498d, for org as S.665, 2nd version of S.5i; arr for mez hp/pf/harm (+ch) as S.5ii/a, oratorio; prelude arr for pf4h as S.580, for pf as S.500, for org (+ch) as S.666, for v org as S.767, Cantantibus organis (Antiphona in festo Santa Caeciliae), Missa quattuor vocum ad aequales (Szekszárd Mass), 2nd version of S.8i; themes used in S.264, Missa solennis zur Einweihung der Basilika in Gran (Graner Mass), 2nd version of S.9i; Agnus Dei arr for pf as S.167c, Ungarische Krönungsmesse (Hungarian Coronation Mass), Nos.5 and 7 arr for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr for org as S.667; No.6 arr for mch pf as S.15a/i, for ch pf as S.15a/ii; No.7 arr for vn orch as S.362, includes S.45 as No.6; adapted for org as S.266; No.6 arr for mch org as S.45, Psalm 13 (Herr, wie lange willst du meiner so gar vergessen), 2nd version of S.13i; arr for ten ch org as S.13ii/a, Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes), arr for mch org as S.14ii, for mch ww br as S.14i/a, for org as S.667a, arr of S.14i; arr for mch ww br as S.14ii/a, 1st version of S.15i/a, S.15ii, S.15ii/a; arr for ch orch as S.15iii, originally written for S.688; uses themes from S.173/4; 1st version of S.16ii, 2nd version of S.17i; arr for ch orch as S.17iii, incomplete, no text; possibly the same as S.762; unpublished, based on an Auverge folksong; unpublished, Hymne de l'enfant à son réveil (O père qu'adore mon père), 2nd version of S.19i, S.19iii, S.19iv; text in French and Italian, 3rd version of S.19i, S.19ii, S.19iv; text in French and Italian, 4th version of S.19i, S.19ii, S.19iii; text in French, German and Hungarian, 1st version of S.20ii; arr for pf as S.172a/12, for org as S.667b/i, 2nd version of S.20i; arr for org as S.667b/ii, 1st version of S.21ii; arr for pf as S.172a/6, Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (Wir bau'n und bestellen das edelste Feld), An den heiligen Franziskus von Paula (Gebet), Responsorien und Antiphonen (Répons et Antiennes), Christus ist geboren I (Weihnachtslied I), Christus ist geboren II (Weihnachtslied II), 1st version of S.32ii, S.32iii; arr for pf as S.502, 1st version of S.33ii; arr for pf as S.503, for org as S.668, 2nd version of S.34i; arr for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b, Crux! of extracts from S.109, 7th (final harm) version of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, arr of S.172/4 by Liszt and Alexander Wilhelm Gottschalg, arr of S.172/5 by Liszt and Alexander Wilhelm Gottschalg, arr by Alexander Wilhelm Gottschalg and Liszt of No.14 of the, Chor der jüngeren Pilger (Der Gnade Heil), arr of extract from S.4ii; published 2013, Serbisches Lied (Ein Mädchen sitzt am Meeresstrand), arr of the song by Francis Korbay; arr for v orch as S.368/2, Barcarole vénitienne de Pantaleoni (Venezianisches Gondellied), arr of the song by Luigi Pantaleoni (collaborative composition: melody and lyrics by Pantaleoni, pf accompaniment by Liszt), Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna), arr of the song by Maria Pavlovna, Grand Duchess of Russia, unfinished sketches (611 pages) for an opera based on, unfinished oratorio; extracts used in S.16i, S.113ii, S.518, S.519; fragment arr for pf as S.688a, arr of fragment from S.688; incomplete sketches, incomplete sketches; 1st mvt 1849–50; 1st mvt 1st version of S.102; 5th mvt 1st version of S.703; 1st mvt possibly the same as S.710, sketch; may have been intended for S.690; lost, Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais), Anfang einer Jugendsonate (Beginning of a youthful Sonata), the first page of S.725/1 (14 bars) copied down from memory in 1880 by Liszt for his biographer Lina Ramann (the original composition was lost), incomplete sketches for No.13 of 48 exercises (No.1 of 2nd series) (with S.136 as the 1st series), simplified arr of S.242a; incomplete sketches, Winzerchor aus den entfesselten Prometheus, arr of No.5 from S.69i; incomplete sketches, based on the Allegro from the Overture to, sketches of Friska to S.695b/6, related to orchestration sketches of S.690d, Petite valse ("Nachspiel zu den drei vergessenen Walzer"), incomplete sketches; intended as a conclusion to the set of 3 waltzes S.215 (before No.4 was composed), 2nd version of S.216b; unfinished draft of new Andantino section added before final bars of S.216b, La mandragore (Ballade de l'opera Jean de Nivelle), arr of "Tant que le jour dure" from the opera, Grande Fantaisie sur des thèmes de Paganini, Variations de bravoure sur des thèmes de Paganini, 1st version of S.79i, S.79ii, S.79iii; pf part incomplete; unpublished, arr of S.151 (by Liszt? Originally thought to be an Album-Leaf ("Ruhig") and catalogued as such as S.167a. lui" (No.11) from the opera, arr of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera, Galop Russe (Bulhakow's Russischer Galop), Galop par Constantin Bulhakow arrangé par Liszt, Tanto gentile e tanto onesta (Dante's Sonett von Hans von Bülow), Zigeuner-Polka (La célèbre Zigeunerpolka d'August Conradi), Souvenir de Russie (d'après Ferdinand David). L’avionneur européen Airbus a vu son chiffre d'affaires 2020 chuter de 29%, à près de 50 milliards d’euros. September 1875), 2nd version of S.89 with different lyrics, 1st version of S.88 with different lyrics, 1st version of S.90/4–6; arr for pf as S.510a, 1st setting of S.89a/4; 1st version of S.90/4; arr for pf as S.510a/1, 2nd setting of S.89a/3; 1st version of S.90/6; arr for pf as S.510a/3, 1st version of S.90/5; arr for pf as S.510a/2, 1st version of S.90/1b, S.90/1c; unpublished, 2nd version of S.90/1a, S.90/1c; unpublished, 1st version of S.90/2b, S.90/2c; unpublished, 2nd version of S.89a/3–5; arr for pf as S.511, 1st setting of S.90/6; 2nd version of S.89a/3; arr for pf as S.511/1, 2nd version of S.89a/5; arr for pf as S.511/2, 2nd setting of S.90/4; 2nd version of S.89a/4; arr for pf as S.511/3, Das Lied der Begeisterung (A lelkesedés dala), 1st version of S.91ii; German and Hungarian text, Das Lied der Begeisterung (Was nützt mir der Erde reichstes Gut). Manuscript of cello & piano version in the Mahler Musical Library in Paris since 1991, violin & piano version in private collection since 1935. They are given correctly here. 908.2k Followers, 278 Following, 6,791 Posts - See Instagram photos and videos from OKLM (@oklm) [J] 21, MWV P 3) et une musique de scène (op. Élu « Label de l’année » par Classica en 2013. ), cantata to text by Goethe, based on music by an unidentified composer (maybe Brahms? original for solo voice, piano (1857) S.313, [I] 1st version of S.260ii; arr for pf as S.529i, 2nd version of S.260i; arr for pf as S.529ii, arr for pf as S.530, for pf4h as S.625, for orch as S.361; rev for v pf as S.766; rev for 2vv (+org) as S.36; rev for ch orch as S.3/8, arr of mvt IV of S.95iv by Alexander Wilhelm Gottschalg, with revisions by Liszt, Missa pro organo lectarum celebrationi missarum adjumento inserviens, Angiolin dal biondo crin (Englein hold im Lockengold), 1st version of S.269ii, S.269iii, S.269iv, S.269v; arr for pf as S.531/6, 2nd version of S.269i, S.269iii, S.269iv, S.269v, 3rd version of S.269i, S.269ii, S.269iv, S.269v, 4th (transposed) version of S.269i, S.269ii, S.269iii, S.269v, 5th version of S.269i, S.269ii, S.269iii, S.269iv, 1st version of S.270ii/2 (for tenor voice); arr for pf as S.158/1, 1st version of S.270ii/1 (for tenor voice); arr for pf as S.158/2, 1st version of S.270ii/3 (for tenor voice); arr for pf as S.158/3, 1st version of S.272ii; arr for pf as S.531/2, 1st version of S.273ii; arr for pf as S.531/1, 2nd version of S.273i; arr for pf as S.532, for v orch as S.369, 1st version of S.274ii, S.301b/i, S.301b/ii; arr for pf as S.534i, 4th version of S.274i, S.301b/i, S.301b/ii; arr for pf as S.534iii, for vc pf as S.382i, for vn pf as S.382ii, 1st version of S.275ii, S.275iii; arr for pf as S.531/3, 3rd version of S.275i, S.275ii; arr for v orch as S.370, 1st version of S.276ii; arr for pf as S.534, 1st version of S.278ii; arr for pf as S.531/4, 1st version of S.279ii, S.279iii, S.279iv; arr for pf as S.531/5, 1st version of S.280ii; arr for pf as S.167a; 1st setting, for 2nd setting see S.280a, 2nd version of S.280i; 1st setting, for 2nd setting see S.280a, 1st version of S.282ii; arr for pf as S.536, 1st version of S.283ii; arr for pf as S.537, 1st version of S.284ii; arr for pf as S.538, "gastibelza" is a Basque word meaning "gossip"; arr for pf as S.540, 1st version of S.287ii, S.287iii, S.287iv, S.287v, S.287vi, 2nd version of S.287i, S.287iii, S.287iv, S.287v, S.287vi, 3rd version of S.287i, S.287ii, S.287iv, S.287v, S.287vi, 4th version of S.287i, S.287ii, S.287iii, S.287v, S.287vi, 5th version of S.287i, S.287ii, S.287iii, S.287iv, S.287vi, 6th version of S.287i, S.287ii, S.287iii, S.287iv, S.287v, 1st setting, for 2nd and 3rd settings see S.288ii, S.288iii, 2nd setting, for 1st and 3rd setting see S.288i, S.288iii, 3rd setting, for 1st and 2nd setting see S.288i, S.288ii, 2nd version of S.292i; arr for v orch as S.372, 2nd version of S.292i/1; arr for v orch as S.372/1, 2nd version of S.292i/2; arr for v orch as S.372/2, 2nd version of S.292i/3; arr for v orch as S.372/3, 1st version of S.293ii; arr for v orch as S.373i, 2nd version of S.293i; arr for v org as S.681a; for v orch as S.373ii, 1st version of S.298ii; arr for pf as S.540b, 2nd version of S.298i; arr for pf as S.541/3, En ces lieux tout me parle d'elle (Élégie), 2nd version of S.274i, S.274ii, S.301b/ii; arr for pf as S.534ii, 3rd version of S.274i, S.274ii, S.301b/i; arr for pf as S.534ii/a, 1st version of S.311ii, S.311iii, S.311iv, S.311v, 2nd version of S.311i, S.311iii, S.311iv, S.311v, 3rd version of S.311i, S.311ii, S.311iv, S.311v, 4th version of S.311i, S.311ii, S.311iii, S.311v, 5th version of S.311i, S.311ii, S.311iii, S.311iv, arr for various choral configurations under S.87, for orch by Liszt and, arr for vn pf as S.383, for v orch as S.374, J'ai perdu ma force et ma vie (Ich verlor die Kraft und das Leben), Go Not, Happy Day (Weil noch, Sonnenstrahl), Verlassen (Mir ist die Welt so freudenleer), arr for pf as S.543, for pflh as S.543a, for org/harm as S.674, for pf4h as S.755a, for bar mch ww br perc as S.345a, for vn pf as S.381a, arr for various choral configurations under S.93, Do Not Reproach Me, My Friend (Не брани меня, мой друг), Der traurige Mönch (In Schweden steht ein grauer Turm), Des toten Dichters Liebe (A holt költó szerelme), Слѣпой [Slyepoi] (The Blind Man) "Der blinde Sänger", Zweite Ouvertüre zum Barbier von Bagdad (P. Cornelius), Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey), arr of the Hungarian patriotic songs (now the Hungarian national anthems), Heroischer Marsch in ungarischem Styl [Première marche hongroise], arr of S.231; basis for S.103; unpublished; written for the King of Portugal, Benedictus aus der Ungarischen Krönungsmesse, arr of S.425/2c, S.426; arr for pf4h as S.632, arr of S.176; sketches only; score prepared from manuscript sources by, arr of S.392; score prepared from manuscript sources and orchestration completed by, arr of the song by Francis Korbay; arr for v org as S.683a, Die Allmacht von Franz Schubert (Gross ist Jehova, der Herr), arr of 2nd mvt of S.108ii by Leopold Alexander Zellner with corrections and additional material by Liszt; published 2013; arr for small-orch as S.711a, Rapsodie hongroise (pour violon et piano par Franç.
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